Description

“Pay attention. Be astonished.” — Mary Oliver

This four-day workshop begins with that simple invitation. On our first morning, we’ll prepare and dye natural and heathered wool yarn using botanical extracts including pomegranate, rhubarb, cutch, and weld. In the afternoon, while our yarns rest and set, we’ll craft a tiny woven sampler to explore foundational tapestry techniques and get comfortable with our looms.

Over the next three days, we’ll design and weave more developed tapestries that reflect experimentation with color, texture, and material. Alongside our naturally dyed yarns, you may choose to incorporate paper, twigs, or found fibers—bringing the surrounding landscape directly into your work. We’ll consider how composition, pattern, and contrast can emerge through both intention and chance, and how tapestry can embody the spirit of place—specifically, this one: the coastal headlands and tidal estuary of Cascade Head and the Salmon River, where forest, river, and sea meet in a constant interplay of light and color. Throughout the workshop, we’ll integrate poetry readings and quiet reflection into our making, letting the rhythm of verse echo the rhythm of the weft and exploring how both words and textiles can shape meaning through repetition and touch.

A materials kit will be provided with everything you need except a few simple items (sketchbook/journal and snips). Each participant will also have access to a Mirrix tapestry loom for use during the workshop.

Beginners and experienced weavers alike are welcome. Truly—don’t be intimidated if textiles are new to you! You’ll leave with a color sampler, a small finished tapestry, and a renewed way of seeing color and material in connection with the living world of Cascade Head.

About the Instructor

Carolyn Hazel Drake is an artist and arts educator based in Portland, OR, and Phoenix, AZ.

Her work is rooted in the craft practices of textiles and ceramics, and was shaped from an early age working behind the counter at her mother’s quilt store. She studied English Literature & Architecture at Portland State University’s Honors College and spent a term as a curatorial research & writing intern for the Smithsonian American Art Museum. She has an M.Ed. in Art Education and spent a decade as a high school art teacher before moving into K-12 arts administration in Oregon school districts. She served on the Portland Art Museum’s Teacher Advisory Council for 7 years, and has been awarded several residencies and grants, including the GLEAN residency, the Sitka Center for Art & Ecology residency, a residency in the archives at Arcosanti, and the ‘Os Icelandic Textile Center residency. In 2024 she was awarded a Center for Craft Teaching Artist Cohort Grant. Her work has been shown across the Pacific Northwest. In 2022, Drake joined the faculty at Arizona State University as an assistant teaching professor for art education in the School of Art.

Materials List

You will need to bring:

Sharp scissors or snips
Sketchbook or journal
Favorite pens / pencils

Provided by instructors:

6″ Mirrix Loom (for use in class only)
Cotton seine warp thread
Wool tapestry yarn
Natural dye extracts
Small clear gridded rulers
Tapestry needles
Needle threaders
Micron pens
Graph paper / pencils for planning