Description

Photopolymer Gravure is a modern version of 19th-century copper plate etchings. This non-toxic etching process allows the artist to make multiple prints from each image—varying the prints through choice of colored inks and papers. In this three-day workshop, students will transform three different photographic images into hand-printed etchings. Using light-sensitive steel-backed gravure plates, participants work with three plates and a variety of inks and papers. Students will leave with 8–10 prints. No printmaking experience is needed, and all levels of students are welcome.

About the Instructor

Although “trained” as a photographer and educator, Karen's approach to image making explores the blending of photosensitive materials, digital media, and printmaking.

Karen Hymer was born in Tucson, Arizona. She earned her BFA from The School of the Museum of Fine Arts, Boston and Tufts University, Medford and her MA and MFA in Fine Art Photography from the University of New Mexico, Albuquerque. Karen actively exhibits her work both nationally and internationally. Her work is in several public collections, including the Center for Creative Photography and the Polaroid International Collection. Dark Spring Press released the first book of her work in April 2018.

Karen’s experience and technical interests are wide-ranging. Although “trained” as a photographer and educator, her approach to image making explores the blending of photosensitive materials, digital media, and printmaking. She is fascinated with how the passage of time affects the human body and other natural elements in the world. In addition to working as a fine art photographer, Karen taught photography for over 25 years at Pima Community College, Tucson.

In the summer of 2018 Karen relocated to Silver City, NM to open and operate Light Art Space in the historic downtown district. The space features galleries, wet darkrooms, a sculpture garden, and a printmaking/teaching studio. Karen teaches workshops and private sessions in Photopolymer Gravure and other alternative photographic processes. She lives on 28 acres of pinon – juniper forest with her standard poodle, Nigel, in an off the grid solar adobe home.

Materials List

You will need to bring:

3 Digital photographs (emailed to teacher three weeks before class starts)

Apron or old shirt

8 x 10 (or larger) box for prints

Optional:

Hand coloring materials

Watercolor paper

Provided by instructors:

Plates

Aquatint screen

Paper

Inks

Exposure unit

Newsprint

Gloves

Wiping cloth

Scrapers

Film

Printer with ink to make film

Ink brushes

Magnets

Tape

File

Tray

Developing brush

Hairdryer

Powder

Powder brushes

Glass

Support for glass

Q-Tips

Dawn soap

Colored pencils

Pastels

Chine Colle materials