Marie Watt
- Interdisciplinary
- Jordan Schnitzer Printmaking Residency 2024, 2021, 2026
Maria Watt is a member of the Turtle Clan of the Seneca Nation of Indians whose work draws on images and ideas from Haudenosaunee (Iroquois) protofeminism and Indigenous teachings.
Her practice is interdisciplinary, incorporating printmaking, painting, textiles, and sculpture. Watt conducts both solo and collaborative projects, but in all of them she explores how history, community, and storytelling intersect.
Watt has an MFA in painting and printmaking from Yale University; she also has degrees from Willamette University and the Institute of American Indian Arts; and in 2016 she was awarded a Doctor Honoris Causa from Willamette University.
Selected collections include the Metropolitan Museum of Art, the Seattle Art Museum, the Whitney Museum of American Art, the Buffalo AKG Art Museum, Yale University Art Gallery, the Crystal Bridges Museum, the Smithsonian Institution’s National Museum of the American Indian and National Museum of American Art, the Tacoma Art Museum, the Denver Art Museum, and the Portland Art Museum. Watt is represented by PDX Contemporary Art in Portland, OR; Catharine Clark Gallery in San Francisco, CA; and Marc Straus in New York, NY.
Watt has an MFA in painting and printmaking from Yale University; she also has degrees from Willamette University and the Institute of American Indian Arts; and in 2016 she was awarded a Doctor Honoris Causa from Willamette University.
Selected collections include the Metropolitan Museum of Art, the Seattle Art Museum, the Whitney Museum of American Art, the Buffalo AKG Art Museum, Yale University Art Gallery, the Crystal Bridges Museum, the Smithsonian Institution’s National Museum of the American Indian and National Museum of American Art, the Tacoma Art Museum, the Denver Art Museum, and the Portland Art Museum. Watt is represented by PDX Contemporary Art in Portland, OR; Catharine Clark Gallery in San Francisco, CA; and Marc Straus in New York, NY.