
Description
Often, in the effort to achieve the ideal print in photography, there is an unrecognized bounty in the test prints, experiments, and mistakes that usually make their way to the trash to never be seen again. What if instead of discarding what is considered flawed in the process of creating a masterpiece, it is the trial and errors that are honored and utilized to create work that is shared with others. In this workshop participants will use the process of cyanotype solar printing, along with the techniques of bleaching and toning their prints, to create internal and external landscapes. By embracing a learning mindset, participants’ test prints will be used as much as possible to create their pieces, minimizing waste, while honoring what it is to be human, a journey never meant for an ideal, but rather one made in experimentation, mistakes, and growth.
The days will include experimenting with the cyanotype process, using natural materials, stencils, and unconventional materials, to mimic natural elements. Participants will learn ways to lighten, or “bleach”, their prints using a mixture of baking soda and water, as well as learn different ways to tone their prints with things often found in a home kitchen(tea, wine, coffee, and spices) The workshop will culminate in cutting out and backing their favorite shapes, to then layer onto a background of their creation. Using the prompt: what landscapes do I nurture within myself, and what landscapes nourish me? Attendees will create the frame for these landscapes using stencils created from photos of themselves taken during the workshop. Through this workshop participants will learn the technical knowledge of cyanotype printing, a 3 dimensional approach to collage, and create a physical representation that honors the missteps, failures, and happy accidents that are a part of the growth cycle in our human landscape.
About the Instructor
Elements of nature are incorporated into a variety of his works, countering the notion that certain bodies and identities are not natural. Galluzzo uses his art practice to reveal stories that he wants to see in counterbalance to the stories put upon bodies by mainstream culture. Through collage, Galluzzo finds new possibilities of existence where all expressions are sacred, honored, and a vital part of human ecology.
Galluzzo has had feature shows at BlueSky Gallery , Paragon Arts Gallery, Roger Hall Gallery. and Cameraworks. Galluzzo has been awarded artist residencies at Sitka Center, the Robert Rauschenberg Foundation, and Pine Meadow Ranch..
Learn More
ebenezergalluzzo.com
Materials List
You will need to bring:
Exacto Knife w/ replacement blades
Small detail paint brush, medium paintbrush 2-4” wide
Scissors
Smart phone for taking photos.
Healing matte for cutting on
Glue Stick
Optional: pressed plant material, or other objects of significance to them, ie keys, bones, feathers, glass, but there will also be allotted time to ethically/sustainably gather materials during workshop.
Provided by instructors:
Pre coated cyanotype paper to be used for first day
Assortment of natural materials for participants to use for cyanotypes if they wish
10 “kits” for exposing photograms including clips and backing(glass provided through materials fee)
Scratch paper for making stencil cut outs
In studio UV exposing kit in case of cloudy days for exposing cyanotypes
Gold paint, gold leaf, and adhesive
Bleaching and toning materials, and bins for them to soak their prints in
Tape
Extra glue sticks
Red lightbulbs for makeshift darkroom.
Cardboard and foam core for backing cutouts