Description

In this workshop, we will take an in-depth dive into the intricate process of multi-color woodcut reduction printing. Over the course of three days, we will explore the full range of techniques involved in this traditional printmaking method. The workshop will begin with a discussion of design principles, helping participants to plan and visualize their final print. We will then move into the technical aspects, including carving techniques, block preparation, and how to carefully layer colors using the reduction method. Emphasis will also be placed on color mixing to achieve rich, vibrant results and how to properly prepare paper for printing. Additionally, we will cover key techniques for achieving precise registration, ensuring that each color layer aligns correctly in the final print. Throughout the workshop, we will focus on ink application and the use of different tools to achieve desired textures and effects. By the end of the course, participants will have gained a thorough understanding of the multi-color woodcut reduction process and will have created their own hand-pulled prints to take home.

About the Instructor

Melinda's woodcutting practice, influenced by a cattle ranching heritage, explores the fragility and wonder of species interdependencies.

Melinda Plank is often asked why woodcuts? She admits that it is time consuming, difficult to correct mistakes, and unforgiving. Part of the answer is that she likes the convoluted process, but she also finds that the results are often more evocative, and powerful than when she works in other mediums. Wood becomes part of the creative conversation, forcing her to refine and simplify what she wants the piece to convey.

Her work, influenced by a cattle ranching heritage, explores the fragility and wonder of species interdependencies. A signature member of the Society of Animal Artists, and Artists for Conservation, she often partners with conservancy groups. Plank’s work is in the permanent collections of the Leigh Yawkey Museum in Wisconsin and the Maryhill Museum of Fine Art in Washington.

Materials List

You will need to bring:

Woodcarving kit, (suggest McClains or Lee Valley Tools)

Soft and hard lead pencils

A few colored pencils

Sketchbook or paper

Apron or paint shirt

Reference materials

Provided by instructors:

Wooden plates

Ink

Glass surfaces for mixing

Brayers

Mixing knives

Shellac

Cleaning supplies

Wession oil

Simple green

Windex

Paper towels

Gloves

Print paper